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                  <text>Starr Street was first developed in 1804, when developer William Culver sold some of his land following a fire. A rope factory was built on one side of the street and five residential homes on the other. After the factory closed, an additional three residences were built in its place. As architects were hard to come by in early 1800s America, these houses were actually designed by local carpenters using plans from French and English architects. As New London came into hard times in the 1970s, Starr Street was scheduled for demolition. The Savings Bank of New London came to the rescue, buying and restoring most of the historic houses. The city contributed as well by connecting Starr Street to its modern utilities grid. Starr Street became New London's first Historic District in 1981. Today, the homes on Starr Street are privately owned, and the owners are required to preserve its historic character.</text>
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                  <text>Jacob Brill-Weil</text>
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                  <text>Jacob Brill-Weil</text>
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                <text>This pamphlet helps us to understand each house’s personality and history through images and notes about the original owners. The houses were built for average people such as grocers and school teachers. The decline and subsequent restoration of each house is also traced here. </text>
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                <text>&lt;a href="https://www.newlondonlandmarks.org/"&gt;New London Landmarks&lt;/a&gt;</text>
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                <text>Jacob Brill-Weil</text>
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                  <text>In its current state, Riverside Park reaches 18 acres from the banks of the Thames River upward towards the neighborhoods behind Hodges Square. The park’s dwindling attendance record and successive attempts to sell off the land to the neighboring Coast Guard Academy reveal deeper problems with New London’s historical development. In Riverside park’s heyday it was a celebration of New London’s affluence, featuring the Yale-Harvard Regatta and recreational all year round beginning in 1893. However following the segregation of the greater Hodges Square area by the construction of I-95, isolation caused neglect. New London citizens rescued the park in 2011, creating the Riverside Park Conservancy to ensure its survival. </text>
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                <text>Selling Riverside Park</text>
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                <text>New London Landmarks, New London, Connecticut </text>
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                  <text>Whale Oil Row, est. 1835&#13;
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                  <text>In the nineteenth century, New London was a thriving and bustling center of the whaling industry. Whale Oil Row is a part of Huntington Street made up of four two-story Greek Revival style residential buildings, all constructed between 1835 and 1845. Ezra Chappell, a local developer and whaling merchant, commissioned architect Charles Henry Boebe to build them. Chappell then sold the homes to four New London citizens, three of whom were directly involved in the whaling industry. The fourth was a doctor who eventually moved his practice to his house on Whale Oil Row, setting a precedent for commercial use of the buildings. Today, these historic structures serve as a reminder of New London’s prominent role in the whaling industry.</text>
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                  <text>Jacob Brill-Weil</text>
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                <text>Tale of the Whale Museum</text>
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                <text>This brochure advertises the “Tale of the Whale Museum” located in 3 Whale Oil Row. A message at the bottom reads “Save The Whale,” with a warning that “great whales are almost extinct.” This example of New London’s current environmental activism shows the city’s pride in its history as it evolves with the times. &#13;
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                <text>&lt;a href="https://www.newlondonlandmarks.org/"&gt;New London Landmarks&lt;/a&gt;</text>
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                  <text>In the nineteenth century, New London was a thriving and bustling center of the whaling industry. Whale Oil Row is a part of Huntington Street made up of four two-story Greek Revival style residential buildings, all constructed between 1835 and 1845. Ezra Chappell, a local developer and whaling merchant, commissioned architect Charles Henry Boebe to build them. Chappell then sold the homes to four New London citizens, three of whom were directly involved in the whaling industry. The fourth was a doctor who eventually moved his practice to his house on Whale Oil Row, setting a precedent for commercial use of the buildings. Today, these historic structures serve as a reminder of New London’s prominent role in the whaling industry.</text>
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                <text>The four two-story Greek Revival buildings on Huntington Street (known as Whale Oil Row) were constructed between 1835 and 1845 by owners with strong ties to New London’s whaling industry. This is a glimpse of that cozy neighborhood in the early twentieth century.  </text>
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                <text>Jacob Brill-Weil</text>
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                <text>&lt;a href="https://www.newlondonlandmarks.org/"&gt;New London Landmarks&lt;/a&gt;</text>
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                  <text>Although Connecticut College's current relationship with the city of New London remains tenuous, the historical legacy of these two places are undeniably intertwined. Upon Wesleyan’s decision to stop admitting women in 1909, the people of Connecticut took it upon themselves to provide a higher education pathway for women. Three New London families; the Alexanders, the Branch family, and the Egglestons donated large plots to house the campus. The first structure, New London Hall, was made possible by the donations of countless New London citizens who, to encourage the College’s rapid development, each gave one day’s wage to fund the project. Built for $135,000 using both regional materials and local labor, New London Hall was named for the local residents who had campaigned so actively to first provide a beautiful site for the future campus, and then the means with which to make that campus a reality. This dynamic relationship flourished until the 1970s when large numbers of students were no longer housed in downtown neighborhoods, and eventually students were entirely dissuaded from off campus residence in 2015.</text>
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                  <text>Caitlin Teare</text>
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                <text>Conn Coll Nationally Known Institution </text>
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                <text>Connecticut College’s built environment reflects a rich history of ideals and beliefs. Individual buildings and masterplans express the architectural values held by society of the time. President Blunt oversaw the construction of seven dormitories and Palmer Auditorium, which expanded the college remarkably. The construction of Palmer connected the campus to the greater New London community. The theater continues to offer concerts and lectures by distinguished individuals including Billy Joel, Eleanor Roosevelt, Hillary Clinton, Frank Lloyd Wright, and Toni Morrison.</text>
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                <text>&lt;a&gt;Linda Lear Center for Special Collections and Archives&lt;/a&gt;</text>
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                <text>The New London Day</text>
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                <text>May 6, 1946</text>
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                <text>Caitlin Teare</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Eva Brydson</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Eva Brydson</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Mohican Hotel Matchbook</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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            <name>Date</name>
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                <text>ca. 1898-1980</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Eva Brydson</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Private Collection</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Matchbook cover</text>
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        <name>Economy</name>
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</itemContainer>
