19 10 1130 https://omeka.conncoll.edu/files/original/2a85c196fb4e659ff5df2dc89f9abb7e.pdf 4e115e5d2c86f36a4b6615aa2f491f80 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuala Press Broadsides Subject The topic of the resource Fine Press Printing, Printing -- Ireland, Description An account of the resource Pdf files of the first series of Cuala Press Broasides, 1908-1911. Publisher An entity responsible for making the resource available Cuala Press Date A point or period of time associated with an event in the lifecycle of the resource 1908-1911 Contributor An entity responsible for making contributions to the resource Elizabeth B. Yeats, Jack B. Yeats Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document THE WOMAN OF THREE COWS O, Woman of Three Cows, agragh! don't let your tongue thus rattle! O, don't be saucy, don't be stiff, because you may have cattle. I have seen - and, here's my hand to you, I only say what's true - A many a one with twice your stock not half so proud as you. Good luck to you, don't scorn the poor, and don't be their despiser; For worldly wealth soon melts away, and cheats the very miser: And death soon strips the proudest wreath from haughty human brows. Then don't be stiff, and don't be proud, good Woman of Three Cows! See where Memonia's heroes lie, proud Owen More's descendants, 'Tis they that won the glorious name, and had the great attendants! If they were forced to bow to Fate, as every mortal bows, Can you be proud, and you be stiff, my Woman of Three Cows? The brave sons of the Lord of Clare, they left the land to mourning; Movrone! for they were banish'd, with no hope of returning - Who knows in what abodes of want those youths were driven to house? Yet you can give yourself these airs, O Woman of Three Cows! O, think of Donnell of the ships, the Chief whom nothing daunted - See how he fell in distant Spain, unchronicled, unchanted! He sleeps, the great O'Sullivan, where thunder cannot rouse - Then ask yourself, should you be proud, good Woman of Three Cows! O'Ruark, Maguire, those souls of fire, whose names are shrin'd in story- Think how their high achievements once made Erin's greatest glory- Yet now their bones lie mouldering under weeds and cypress boughs, And so, for all your pride, will yours, O Woman of Three Cows! Th' O'Carrolls, also, framed when fame was only for the boldest, Rest in forgotten sepulchres with Erin's best and oldest; Yet who so great as they of yore in battle or carouse? Just to think of that, and hide your head, good Woman of Three Cows! Now, there you go! You still, of course, keep up your scornful bearing, And I'm too poor to hinder you; but, by the cloak I'm wearing, If I had but four cows myself, even though you were my spouse, I'd thwack you well to cure your pride, my Woman of Three Cows! James Clarence Mangan Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Broadside Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Broadside: No. 4. Seventh and Last year of the Set Subject The topic of the resource Ireland Cuala Press A Broadside The Gaelic Revival Irish Literary Revival Description An account of the resource PUBLISHED MONTHLY BY E. C. YEATS AT THE CUALA PRESS, CHURCHTOWN, DUNDRUM, COUNTY DUBLIN. SUBSCRIPTION TWELVE SHILLINGS A YEAR POST FREE. 300 copies only. The woodcut on page [3] has caption: "HOOPLA". Signed by Jack B, Yeats. Creator An entity primarily responsible for making the resource E. C. Yeats Jack B. Yeats James Clarence Mangan Publisher An entity responsible for making the resource available Cuala Press Date A point or period of time associated with an event in the lifecycle of the resource September, 1914 A Broadside Cuala Press Dublin Dun Emer E. C. Yeats Hoopla Ireland Irish Literary Revival Jack B. Yeats James Clarence Mangan The Gaelic Revival The Woman of Three Cows https://omeka.conncoll.edu/files/original/705a30bbf1fbba5f1d9239f5f4773eb1.pdf cce6660270800a8b42f92024de46e573 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuala Press Broadsides Subject The topic of the resource Fine Press Printing, Printing -- Ireland, Description An account of the resource Pdf files of the first series of Cuala Press Broasides, 1908-1911. Publisher An entity responsible for making the resource available Cuala Press Date A point or period of time associated with an event in the lifecycle of the resource 1908-1911 Contributor An entity responsible for making contributions to the resource Elizabeth B. Yeats, Jack B. Yeats Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document SHUILE AGRA As I roved through my new garden bowers, To gaze upon the fast fading flowers, And think upon the happiest hours That fled in Summer's bloom. Shuile, shuile, shuile agra, Time alone can ease my woe; Since the lad of my heart from me did go Gotheen mavourneen slaun. I'll sell my rock, I'll sell my reel, When flax is spun I'll sell my wheel, to buy my love a sword of steel. Gotheen mavourneen slaun. I'll dye my petticoat, I'll dye it red And round the world I'll beg my bread. That all my friends may wish me dead. Gotheen mavournneen slaun. I wish I were on Brandon Hill, 'Tis there I'll sit and cry my fill, That every tear would turn a mill Gotheen mavourneen slaun. No more am I that blooming maid, That used to rove the valley shade, My youth and bloom are all decayed, Gotheen mavourneen slaun. Shuile, shuile, shuile agra, Time alone can ease my woe; Since the lad of my heart from me did go Gotheen mavourneen slaun. MY IRISH GIRL As I roved out one evening down by a river side Looking all around me an Irish girl I spied, Red and rosy were her cheeks, gold yellow was her hair And costly were the robes of gold my Irish girl did wear. The sort of shoes that my love wore were of a Spanish brown, The sort of shoes that my love wears were bound all round with span; Crying, alas! arue! what shall I do, for the loss of sthore machree, Or must I go and leave my love, or slight my own Molly? The second time I saw my love, I was sick and very bad, All the request I asked of her was to tie my weary head. I seen one as bad as me, but times might mend again, For love is it a killing thing, did you ever feel the pain. I wish my love was a red red rose, growing in our garden fair, And I to be the gardener of her I would take care, There's not a month throughout the year but my love I would renew, With flowers fine I'd garnish thine sweetwilliam, thyme and rue. I wish I was a butterfly I'd light on my love's breast, If I was a nightingale I'd sing my love to rest, Or if I was a blue cuckoo I's sing till the morning clear, I'd sit and sing for you Molly whom I once loved so dear. I wish I was in Banagher and sitting on the grass, In my hand a bottle of wine and on my knees a lass, We'd call for liquors plenty and pay before we'd go, And we'd roll along the sea my boys let the wind blow high or low. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Broadside Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Broadside: No. 5 Seventh and Last Year of the Set Subject The topic of the resource Ireland Cuala Press A Broadside The Gaelic Revival Irish Literary Revival Description An account of the resource PUBLISHED MONTHLY BY E. C. YEATS AT THE CUALA PRESS, CHURCHTOWN, DUNDRUM, COUNTY DUBLIN. SUBSCRIPTION TWELVE SHILLINGS A YEAR POST FREE. 300 copies only. The woodcut on page [3] has caption: "DUBLIN QUAYS". Signed by Jack B. Yeats. Creator An entity primarily responsible for making the resource E. C. Yeats Jack B. Yeats Publisher An entity responsible for making the resource available Cuala Press Date A point or period of time associated with an event in the lifecycle of the resource October, 1914 A Broadside Cuala Press Dublin Dublin Quays Dun Emer E. C. Yeats Ireland Irish Literary Revival Jack B. Yeats My Irish Girl Shuile Agra The Gaelic Revival https://omeka.conncoll.edu/files/original/2994e7c0e28d82db0de2c2bba9fc17c7.pdf cdc2dd3586e3bd9eff1a9bcb2081c5a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuala Press Broadsides Subject The topic of the resource Fine Press Printing, Printing -- Ireland, Description An account of the resource Pdf files of the first series of Cuala Press Broasides, 1908-1911. Publisher An entity responsible for making the resource available Cuala Press Date A point or period of time associated with an event in the lifecycle of the resource 1908-1911 Contributor An entity responsible for making contributions to the resource Elizabeth B. Yeats, Jack B. Yeats Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document THE OLD GREY MARE At break of day, I chanced to stray All by the Seine's fair side, When to ease my heart young Bonaparte Came forward for to ride. On a field of green, with gallant mien He formed his men in square And down the line, with looks divine He rode his Old Grey Mare. 'My sporting boys that's tall and straight Take counsel and be wise, Attention pay to what I say, My lecture don't despise: Let patience guide yous everywhere, And from traitors now beware, For there's none but him that's sound within Can ride my Old Grey Mare.' Bonaparte on her did start He rode too fast, Is Truagh! She lost a show at Moscow Fair And got lamed at Waterloo. But wait till she comes back again Where she'll have farrier's care, And the very next date she'll win the plate My sporting Old Grey Mare. THE NOBLE THREE (To the air of 'The Black hores') One time when walking down a lane As night was drawing nigh, I met a colleen with three flowers And she more young than I. 'Saint Patrick bless you, dear,' said I 'If you'll be quick and tell The place where you did find those flowers I seem to know so well.' She took one flower and kissed it thrice And softly said to me: 'This flower I found in Thomas Street, In Dublin Fair,' said she; 'It's name is Robert Emmett The youngest flower of all. But I'll keep it fresh beside my breast If all th world should fall.' She took and kissed the next flower twice And softly said to me, 'This flower I culled in Antrim's fields Outside Belfast' said she; 'The name I call it is Wolfe Tone, The bravest flower of all. But I'll keep it fresh beside my breast If all the world should fall.' She took and kissed the next flower once And softly said to me, 'This flower comes from the Wicklow hills, Its name is Dwyer,' said she. 'But Emmett, Dwyer and Tone I'll keep For I do love them all. And I'll keep them fresh beside my breast If all the world should fall.' G. N. Reddin. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Broadside Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Broadside: No. 6. Seventh and Last Year of the Set Subject The topic of the resource Ireland Cuala Press A Broadside The Gaelic Revival Irish Literary Revival Description An account of the resource PUBLISHED MONTHLY BY E. C. YEATS AT THE CUALA PRESS, CHURCHTOWN, DUNDRUM, COUNTY DUBLIN. SUBSCRIPTION TWELVE SHILLINGS A YEAR POST FREE. 300 copies only. The woodcut on page [3] has caption: "THE CANVAS MAN". Signed by Jack B. Yeats. Creator An entity primarily responsible for making the resource E. C. Yeats Jack B. Yeats G. N. Reddin Publisher An entity responsible for making the resource available Cuala Press Date A point or period of time associated with an event in the lifecycle of the resource November, 1914 A Broadside Cuala Press Dublin Dun Emer E. C. Yeats G. N. Reddin Ireland Irish Literary Revival Jack B. Yeats The Canvas Man The Gaelic Revival The Noble Three The Old Grey Mare https://omeka.conncoll.edu/files/original/585f53ba0fd38fd610b02c8da7d810d5.pdf ab81010c448ade13783d0e162549f863 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuala Press Broadsides Subject The topic of the resource Fine Press Printing, Printing -- Ireland, Description An account of the resource Pdf files of the first series of Cuala Press Broasides, 1908-1911. Publisher An entity responsible for making the resource available Cuala Press Date A point or period of time associated with an event in the lifecycle of the resource 1908-1911 Contributor An entity responsible for making contributions to the resource Elizabeth B. Yeats, Jack B. Yeats Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document BUCKS HAVE AT YE ALL; OR, THE PICTURE OF A PLAYHOUSE Ye social friends of claret and of wit, Where'er dispers'd, in merry groups you sit; Whether below you gild the glitt'ring sence, Or mount aloft there, on a bold thirteen. Ye bucks assembl'd at your Ranger's call, Damme, I know ye - and have at ye all. The motive here that sets our Bucks on fire, The gen'rous wish, the first and last desire; If you with plaudits echo to redrown, Or urg'd with fury, tear the benches down; 'Tis still the same - to one bright goal we haste, To show your judgement and approve your taste. 'Tis not in nature for ye to be quiet, No, damme, Bucks exist but in a riot. For instance now - to please the ear and charm admiring crowd, You bucks o' th'boxes sneer and talk aloud! To the green box next with joyous speed you run, Hilly ho! ho! my Bucks! well, damme it, what's the fun? Tho' Shakespeare speaks, regardless of the play, Ye laugh and loll the sprightly hours away; For to seem sensible of real merit, Oh, damme, it's low, it's vulgar, - beneath us lads of spirit. Your Bucks o'th' pit are miracles of learning, Who point out faults to shew their own discerning; And, critic-like, bestriding martyr'd sense, Proclaim their genius and vast consequence. The side-long row, whose keener views of bliss Are chiefly centered in some favourite Miss; A set of jovial Bucks who here resort, Flush from the tavern, reeling ripe for sport, Wak'd from their dream, oft joined the general roar, With bravo, bravo - bravissimo, et damme, encore Or, skipping that, behold another row, Supplied with citizens or smiling beau: Addressing Miss, whose cardinal protection, Keeps her quite safe from ranc'rous detraction, Whose lively eyes beneath a down drawn hat, Gives hint she loves a little - you know what. Ye Bucks above who range like gods at large, Nay, pray don't grin, but listen to your charge, You who design to change this scene to raillery, And out-talk players in the upper gallery: Oh, there's a youth, and one o' th'sprightly sort, I don't mean you - damme, you've not features for 't. Who slily skulks to hidden station, While players follow their vocation, Whistle, 'off, off, off, Nosee, Roast Beet' - there's education. Now, I've explored this mimic world quite thro'. An set each country's little faults to view: In the right sense receive the well-meant jest, And keep the moral still within your breast; Convinc'd I'd not in heart or tongue offend, Your hands acquit me, and I've gain'd my end. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Broadside Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Broadside: No. 7. Seventh and Last Year of the Set Subject The topic of the resource Ireland Cuala Press A Broadside Irish Literary Revival The Gaelic Revival Description An account of the resource PUBLISHED MONTHLY BY E. C. YEATS AT THE CUALA PRESS, CHURCHTOWN, DUNDRUM, COUNTY DUBLIN. SUBSCRIPTION TWELVE SHILLINGS A YEAR POST FREE. 300 copies only. The woodcut on page [3] has the caption: "A LONG TIME AGO". Signed by Jack B. Yeats. Creator An entity primarily responsible for making the resource E. C. Yeats Jack B. Yeats Publisher An entity responsible for making the resource available Cuala Press Date A point or period of time associated with an event in the lifecycle of the resource December, 1914 A Broadside A Long Time Ago Bucks Have at Ye All ; Or the Pitcture of a Playhouse Cuala Press Dublin Dun Emer E. C. Yeats Ireland Irish Literary Revival Jack B. Yeats The Gaelic Revival https://omeka.conncoll.edu/files/original/af6ab75a21f33bb0dc0acf668a1f2d65.pdf 7096711c7ac40ab5d34c2fc2ad51eb17 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuala Press Broadsides Subject The topic of the resource Fine Press Printing, Printing -- Ireland, Description An account of the resource Pdf files of the first series of Cuala Press Broasides, 1908-1911. Publisher An entity responsible for making the resource available Cuala Press Date A point or period of time associated with an event in the lifecycle of the resource 1908-1911 Contributor An entity responsible for making contributions to the resource Elizabeth B. Yeats, Jack B. Yeats Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document O'REILLY FROM THE COUNTY KERRY I wish I had you in Phoenix Island, One hundred miles from your native home Or in some valley where none could find you You might consent then to be my own. For there I would caress my jewel, If along with me you'd incline to go, I'll sail you over to Pennsylvania, So I'd bid adieu to Reilly evermore. You have not me in Phoenix Island, One hundred miles from my native home Or in a valley where none can find me, So I'll not incline then to be your own. So therefore don't tease me nor displease me, But along with you I'm not inclined to go, So do sail over to where you came from, For I'll wait then for Reilly evermore. THE FUGITIVE The limestone road that leads to town - I go along that road; 'Tis soon I'll reach the jetty where The Spanish schooners load. The maiden river trips along To marriage with the sea, A witness to that marriage rite In half an hour I'll be. I'll see the lancers and the hussars, I'll step behind the band, I'll dance to Mike the Fiddler's jig Down by the jarvey stand. I'll see the Fenian's monument Who for old Ireland died, I'll watch the merchant's daughters fair, Rich suitors by their side. And then within the circus tent The steeds of piebald brown; The damsel diving through the hoop, The juggler, jock and clown. The children would make game of me And call me Country Dan, But Donal More from this day's dark Will be a city man. The dusty road that leads to town, I've travelled all the road, The Spanish Captain hears my tale And bids me step on board. Con O'Leary. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Broadside Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Broadside: No. 8. Seventh and Last Year of the Set Subject The topic of the resource Ireland Cuala Press A Broadside Irish Literary Revival The Gaelic Revival Description An account of the resource PUBLISHED MONTHLY BY E. C. YEATS AT THE CUALA PRESS, CHURCHTOWN, DUNDRUM, COUNTY DUBLIN. SUBSCRIPTION TWELVE SHILLINGS A YEAR POST FREE. 300 copies only. The woodcut on page [3] has the caption: "THE OIL WAGON". Unsigned. Creator An entity primarily responsible for making the resource E. C. Yeats Jack B. Yeats Con O'Leary Publisher An entity responsible for making the resource available Cuala Press Date A point or period of time associated with an event in the lifecycle of the resource January, 1915 https://omeka.conncoll.edu/files/original/22cc18e601af9acbbee67568d2c1ff97.pdf a57c46d48e11404cca7fdd18d1e1315d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuala Press Broadsides Subject The topic of the resource Fine Press Printing, Printing -- Ireland, Description An account of the resource Pdf files of the first series of Cuala Press Broasides, 1908-1911. Publisher An entity responsible for making the resource available Cuala Press Date A point or period of time associated with an event in the lifecycle of the resource 1908-1911 Contributor An entity responsible for making contributions to the resource Elizabeth B. Yeats, Jack B. Yeats Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document THE MAID OF BALLYHAUNIS My Mary dear! for thee I die, O, place thy hand, in mine, love - My fathers here were chieftains high, Then to my plaints incline, love. O, plaited-hair! that now we were, In wedlock's band united, For, maiden mine, in grief I'll pine, Until our vows are plighted! Thou, Rowan-bloom, since thus I rove, All worn and faint to greet thee, Come to these arms, my constant love, With love as true to meet me! Alas! my head - its wits are fled, I've failed in filial duty - My sire did say, "Shun, shun, for aye That Ballyhaunis beauty!" But thy Cúilin Bán I marked one day, Where the blooms of bean-field cluster, Thy bosom white like ocean's spray, Thy cheeks like rowan-fruit's lustre, Thy tones that shame the wild birds fame Which sing in the summer weather - And O! I sigh that thou, love, and I Steal not from this world together! If with thy lover thou depart, To the land of ships, my fair love, No weary pain of head or heart, Shall haunt our slumbers there, love - O! haste away, ere cold death's prey, My soul from thee withdrawn is; And my hope's reward, the churchyard sward In the town of Ballyhaunis! Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Broadside Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Broadside: No. 9. Seventh and Last Year of the Set Subject The topic of the resource Ireland Cuala Press A Broadside Irish Literary Revival The Gaelic Revival Description An account of the resource PUBLISHED MONTHLY BY E. C. YEATS AT THE CUALA PRESS, CHURCHTOWN, DUNDRUM, COUNTY DUBLIN. SUBSCRIPTION TWELVE SHILLINGS A YEAR POST FREE. 300 copies only The woodcut on page [3] has the caption: "THE SCENE OF A TRAGEDY". Signed by Jack B. Yeats. Creator An entity primarily responsible for making the resource E. C. Yeats Jack B. Yeats Publisher An entity responsible for making the resource available Cuala Press Date A point or period of time associated with an event in the lifecycle of the resource February, 1915 https://omeka.conncoll.edu/files/original/03a784c47f31aafb37e0ee1b93bfcdec.pdf 5bb7a78a22ce40a4a4b9262854a76ec4 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document MY LITTLE ROSE I hear your voice in woods all dark and low Where nought but friendly winds move to and fro. My Little Rose. I hear your voice where storm birds shriek and wail, And Neptune grasps his club to fight the gale. My Little Rose. I hear your voice where streams with music glide In misty glades where many spirits hide. My Little Rose. I'll follow you and do all you decree, I'll fight for you till I have made you free. My Little Rose. So weep no more but feed your heart with hope, More men shall rise who'll scorn the tyrant's rope. My Little Rose. And they shall fight and win your freedom back And all you had, you'll have, and all you lack. My Little Rose. G.N. Reddin. JIM FARROW It's Jim Farrow and John Farrow and little Simon, too, Have plenty of cattle where I have but few. Marking and branding both night and day, - It's "Keep still, boys, my boys, and you'll all get your pay." It's up to the Courthouse, the first thing they know, Before the Grand Jury they'll have to go. They'll ask you about ear-marks, they'll ask you about brand, But tell them you were absent when the work was on hand. Jim Farrow brands J.F. on the side; The next comes Johnnie who takes the whole hide; Little Simon, too, has H. on the loin; - All stand for Farrow but it's not good for Sime. You ask for the mark, I don't think it's fair, You'll find the cow's head but the ear isn't there. It's a crop and a split and a sort of twine, - All stand for F. but it's not good for Sime. "Get up, my boys," Jim Farrow will say, "And go out to horse hunting before it is day." So we get up and are out on the way But it's damn few horses we find before day. Now saddle your horses and out on the peaks To see if the heifers are out on the creeks." We'll round em to-day and we'll round 'em to-morrow, And this ends my song concerning the Farrows. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Broadside Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Broadside: No. 12. Seventh and Last Year of the Set Subject The topic of the resource Ireland Cuala Press A Broadside Irish Literary Revival The Gaelic Revival Description An account of the resource PUBLISHED MONTHLY BY E. C. YEATS AT THE CUALA PRESS, CHURCHTOWN, DUNDRUM, COUNTY DUBLIN. SUBSCRIPTION TWELVE SHILLINGS A YEAR POST FREE. 300 copies only. The woodcut on page [3] has the caption: "THE RACE". Signed by Jack B. Yeats. Creator An entity primarily responsible for making the resource E. C. Yeats Jack B. Yeats G.N. Reddin Publisher An entity responsible for making the resource available Cuala Press Date A point or period of time associated with an event in the lifecycle of the resource May, 1915 https://omeka.conncoll.edu/files/original/331fa73256af9c77750ee2f831e6f74c.pdf dd57f99fe7aa2e07ac300cf1073185b1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuala Press Broadsides Subject The topic of the resource Fine Press Printing, Printing -- Ireland, Description An account of the resource Pdf files of the first series of Cuala Press Broasides, 1908-1911. Publisher An entity responsible for making the resource available Cuala Press Date A point or period of time associated with an event in the lifecycle of the resource 1908-1911 Contributor An entity responsible for making contributions to the resource Elizabeth B. Yeats, Jack B. Yeats Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document LINES WRITTEN ON THE LIBERATION OF BARRETT Air 'The Peeler and The Goat' Down Ormond Quay as I did stray All in the summer season O, My heart with joy it gave a leap - The news is was so pleasing O. Now Captain Lambert lost the day Inded he's nicely fitted O, Hurrah my boys for justice still, Young Barret is acquitted O. Chorus Thank Heaven, Butt and the jury too, The news is great and glorious O, Their Evidence was knocked to rags Young Barrett is victorious O. Old Erin's son was tried three times. In Galway and Dublin too, Some thought poor Barrett would have swung But now his foes are black and blue. Eleven long months in prison he lay Enough to rack the creature O, All through his colour never changed, I watched his Irish features O. The trial gloriously came off, Indeed is was alarming O To shoot Captain Lambert it appears Some one used fire arms O, For which poor Barrett he was took And tried upon suspicion O. An honest jury is most grand It's rich there's no conviction O. But Barrett was respected well In London and in Ireland O. Young and old, rich and poor, His conduct all admired O. His character was grand indeed, In it lay nothing filthy O. Signs on it, the jury returned soon A verdict of not guilty O. Of honest parents Barrett came All Irish descendents O, In vain upon brave counsellor Butt He put not his dependence O. He dragged him out though locked up fast With eloquence like thunder O. Success attend brave Counsellor Butt, He smashed their locks asunder O. Their locks and keys he threw aside, The law he soon expounded O, And every foe of Barrett's now He nobly did confound them O. With talent rish and speech sublime He freed his client clever O. Long may he live to wear the gown Brave Butt he is a ripper O. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Broadside Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Broadside: No. 4 Second Year Subject The topic of the resource Ireland Irish Literary Revival The Gaelic Revival Dun Emer Press Cuala Press A Broadside Description An account of the resource PUBLISHED MONTHLY BY E. C. YEATS AT THE CUALA PRESS, CHURCHTOWN, DUNDRUM, COUNTY DUBLIN. SUBSCRIPTION TWELVE SHILLINGS A YEAR POST FREE. 300 copies only. The woodcut on page [3] has caption: "The Playboy". Signed Jack B. Yeats. Creator An entity primarily responsible for making the resource E. C. Yeats. Jack B. Yeats. Publisher An entity responsible for making the resource available Cuala Press Date A point or period of time associated with an event in the lifecycle of the resource September, 1909 A Playboy Cuala Press Dublin Dun Emer E. C Ireland Irish Literary Revival Jack B. Yeats Lines Written on the Liberation of Barrett The Gaelic Revival Yeats https://omeka.conncoll.edu/files/original/6427267f4806b2ff2966708e6cc0229d.pdf ef4d78907d5eb50f0bc53cbba13b1c17 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuala Press Broadsides Subject The topic of the resource Fine Press Printing, Printing -- Ireland, Description An account of the resource Pdf files of the first series of Cuala Press Broasides, 1908-1911. Publisher An entity responsible for making the resource available Cuala Press Date A point or period of time associated with an event in the lifecycle of the resource 1908-1911 Contributor An entity responsible for making contributions to the resource Elizabeth B. Yeats, Jack B. Yeats Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document THE OLD CHISOLM TRAIL Come along, boys, and listen to my tale, I'll tell you of my troubles on the old Chisholm trail. Coma ti yi youpy, youpy ya, youpy ya, Coma ti yi youpy, youpy ya. I started up the trail October twenty-third, I started up the trail with the 2-U herd. Oh, a ten dollar hoss and a forty dollar saddle,- And I'm goin' to punchin' Texas cattle. I woke up one morning on the old Chisholm trail, Rope in my hand and a cow by the tail. I'm up in the mornin' afore daylight And afore I sleep the moon shines bright. Old Ben Bolt was a blamed good boss, But he'd go to see the girls on a sore-backed hoss. Old Ben Bolt was a fine old man And you'd know there was whiskey wherever he'd land. My hoss throwed me off at the creek called Mud, My hoss throwed me off round the 2-U herd. Last time I saw him he was going cross the level A-kicking up his heels and a-running like the devil. It's cloudy in the West, a-looking like rain, And my damned old slicker's in the wagon again. Crippled my hoss, I don't know how, Ropin' at the horns of a 2-U cow. We hit Caldwell and we hit her on the fly, We bedded down the cattle on the hill close by. No chaps, no slicker, and it's pouring down rain, And I swear, by God, I'll never night-herd again. Feet in the stirrups and seat in the saddle, I hung and rattled with them long-horn cattle. Last night I was on guard and the leader broke the ranks, I hit my horse down the shoulders and I spurred him in the flanks. The wind commenced to blow, and the rain began to fall, Hit looked, by grab, like we was goin' to loss 'em all. I jumped in the saddle and grabbed holt the horn, Best blamed cow-puncher ever was born. I popped my foot in the stirrup and gave a little yell, The tail cattle broke and the leaders went to hell. I don't give a damn if they never do stop; I'll ride as long as an eight-day clock. Foot in the stirrup and hand on the horn, Best damned cowboy ever was born. I herded and I hollered and I done very well, Till the boss said, 'Boys, just let 'em go to hell.' Stay in the herd and the boss said kill it, So I shot him in the rump with the handle of the skillet. We rounded 'em up and put 'em on the cars, And that was the last of the old Two Bars. Oh it's bacon and beans most every day,- I'd as soon be a-eatin' prairie hay. I'm on my best horse and I'm goin' at a run, I'm the quickest shootin' cowboy that ever pulled a gun. I went to the wagon to get my roll, I come back to Texas, dad-burn my soul. I went to the boss to draw my roll, He had it figgered out I was nine dollars in the hole. I'll sell my outfit just as soon as I can, I won't punch cattle for no damned man. Goin' back to town to draw my money, Goin' back home to see my honey. With my knees in the saddle and my seat in the sky, I'll quit punching cows in the sweet by and by. Coma ti yi youpy, youpy ya, youpy ya, Coma ti ys youpy, youpy ya. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Broadside Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Broadside: No. 10 Fifth Year Subject The topic of the resource Ireland Cuala Press A Broadside Irish Literary Revival The Gaelic Revival Description An account of the resource PUBLISHED MONTHLY BY E. C. YEATS AT THE CUALA PRESS, CHURCHTOWN, DUNDRUM, COUNTY DUBLIN. SUBSCRIPTION TWELVE SHILLINGS A YEAR POST FREE. 300 copies only. Creator An entity primarily responsible for making the resource E.C. Yeats Jack B. Yeats Publisher An entity responsible for making the resource available Cuala Press Contributor An entity responsible for making contributions to the resource March, 1913 A Broadside Cuala Press Dublin Dun Emer E. C. Yeats Ireland Irish Literary Revival Jack B. Yeats The Gaelic Revival The Old Chisholm Trail https://omeka.conncoll.edu/files/original/6a6a198317eee9f45fa6290f2a440934.pdf c8b5544019f3582c01aec8c80296376a Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document ON THE LOVE OF JESUS O my dear Jesus, how late have I known thee, My treasons depraved me and bereft me of sight, I wandered through places most heinous, abjuring, The rules of salvation and the maxims of light. And if I could from my sins bewail, And truly repent and spend my days In loving thee and be sincere, To praise thee and adore. Now, my sweet Saviour, receive and renew me, Through thy mercy and graces with zeal I implore. Who but a traitor could forsake and disown thee, If he considered daily how dearly he was bought? In thy painful agony that tortured thee extremely When sorrow did seize thee, and really then brought, Thy precious blood through every pore, Of they tender body to start by force, And trickling down in clotted gore, On the ground to be seen, In streams then congealing and thou bathed all over, In the purple raiment which veiled then the green. Now I'll trace thee, my Jesus through the stages succeeding And ponder still serious how great was thy love, For those that disown thee, and look so disdainfully, On they sufferings painful though pleasing above. Oh! what heart so hard in vice, Could not but feel for thee when tied And dragged along like a lamb so mild, To be slaughtered by those, Who seiz' d thee in the garden; and hauled thee so hasty To Annias and Caiaphas their charge to disclose. There thou wert abused and cruelly maltreated, After scoffing thee inhumanly and defiling thy face, From thence removed thee to Pilate and Herod, Shouting without ceasing, nor pitying thy case, No tongue could e'er express, The excessive pains which thee oppressed When thou wast bound to a pillar fast By thy tyrannic foes. And those miscreants so hateful beating thee without reprieve, Till they cut thee severely, they flayed thee so close. All you lovers of Jesus I pray now behold him, With his purple blood streaming from his new naked sores, His body quite weary and really exhausted, They loosed him then scornfully to draw again his gores. Then they pressed on his head a wreath, Of sharp long thorns that caused much pain; And fixed in his hands a rod or cane, In his face then they spewed, Their phlegm, which so basely destroyed all his beauty, And yet to salute him they rudely then bowed. After disgorging their thick phlegms so nauseous, In the face of my darling, they all then agreed, To nail him most barbarous on a long tree with scorn, And then to exalt him his heart's blood to bleed; That hard weed they did procure Which he did bear on his painful wounds, To Calvary's Mount, and he in swoon, Falling on the roads, And those tigers still tearing and beating him with clubs and pikes And piercing him severely with sharp-pointed goads. When his journey was over, in this doleful situation, They fastened him with gross nails to the load he did bear, And raised him with ropes as a show to spectator And he for those slaying him offering his prayers, They pierced his heart with a lance by force, And made in his side so wide a wound, That his precious blood then gushed in gores, To save and restore, Those creatures who forsake him for vain things which deceive, Now, dear Jesus, receive me; I'll forsake thee no more. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Broadside Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Broadside: No. 10. Seventh and Last Year of the Set Subject The topic of the resource Ireland Cuala Press A Broadside Irish Literary Revival The Gaelic Revival Description An account of the resource PUBLISHED MONTHLY BY E. C. YEATS AT THE CUALA PRESS, CHURCHTOWN, DUNDRUM, COUNTY DUBLIN. SUBSCRIPTION TWELVE SHILLINGS A YEAR POST FREE. 300 copies only. The woodcut on page [3] has the caption: "THE OLD CAR DRIVER. Signed by Jack B. Yeats. Creator An entity primarily responsible for making the resource E.C. Yeats Jack B. Yeats Publisher An entity responsible for making the resource available Cuala Press Date A point or period of time associated with an event in the lifecycle of the resource March, 1915