107 10 1130 https://omeka.conncoll.edu/files/original/e77448ed8c0a844a1d04e75e86c42b18.jpg ea60d219357d5c67833e9a1226cc181c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composite - American Women's History Collection Subject The topic of the resource American Women's History Collection Description An account of the resource Composite photograph of items from the American Women's History Collection at Connecticut College Source A related resource from which the described resource is derived American Women's History Collection Publisher An entity responsible for making the resource available Linda Lear Center for Special Collections and Archives https://omeka.conncoll.edu/files/original/d7f8099b20f40e990a332a1ae05884db.jpg be638d510f4e591fdf57af13742b8c2b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph of Prudence Crandall Subject The topic of the resource Prudence Crandall Description An account of the resource Photograph of Prudence Crandall Source A related resource from which the described resource is derived Prudence Crandall Collection Publisher An entity responsible for making the resource available Linda Lear Center for Special Collections and Archives https://omeka.conncoll.edu/files/original/df261648b7e93a1af0ce648ad57c30b2.jpg bfb4859d56c25782e29f10cdb50ebcd6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph of Belle Moskowitz Subject The topic of the resource Belle Moskowitz Description An account of the resource Photograph of Belle Moskowitz Source A related resource from which the described resource is derived Belle Moskowitz Collection Publisher An entity responsible for making the resource available Linda Lear Center for Special Collections and Archives https://omeka.conncoll.edu/files/original/ccffbf92c2e03ef25740e0e37175587e.jpg a4b4828dc2d48f68cb83eb31a15514d8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph of Florence Sabin Subject The topic of the resource Florence Sabin Description An account of the resource Photograph of Florence Sabin Source A related resource from which the described resource is derived World Center for Women's Archives Collection Publisher An entity responsible for making the resource available Linda Lear Center for Special Collections and Archives https://omeka.conncoll.edu/files/original/a22df5348294209ddc32561169a02e35.jpg b61b3799fc5dcdcb9f80b9e8df67ec58 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph of Lillian Wald Subject The topic of the resource Lillian Wald Description An account of the resource Photograph of Lillian Wald https://omeka.conncoll.edu/files/original/14cd3de3110f5c6fb753580cb2bcc455.jpg ad13bd7c568634beaf7b844c2e4cb8d9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph of Alice Hamilton Subject The topic of the resource Alice Hamilton Description An account of the resource Photograph of Alice Hamilton https://omeka.conncoll.edu/files/original/2ca9af312e8b9763010a2b31bcf8eee5.jpg 6aafe7c0e9869c9986f6256a40ff735d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph of Frances Perkins Subject The topic of the resource Frances Perkins Description An account of the resource Photograph of Frances Perkins Source A related resource from which the described resource is derived Frances Perkins Collection Publisher An entity responsible for making the resource available Linda Lear Center for Special Collections and Archives https://omeka.conncoll.edu/files/original/5f4e137714c06bd1c388cf462a0db5a0.jpg b3d8ce97651b1e4e710adeb710b806f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph of Roberta Bitgood Subject The topic of the resource Roberta Bitgood Description An account of the resource Photograph of Roberta Bitgood https://omeka.conncoll.edu/files/original/6e7ee0181f4bddba1a811bf62a6c2944.jpg d629a0513285b04e69939ce8c47de65f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph of Mary Morrison Subject The topic of the resource Mary Morrison Description An account of the resource Photograph of Mary Morrison Source A related resource from which the described resource is derived Mary Morrison Collection Publisher An entity responsible for making the resource available Linda Lear Center for Special Collections and Archives https://omeka.conncoll.edu/files/original/dd9b4a7897b9e268df6443c70cb82574.pdf 7775a573938f14ca5fbbb180024c731a Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document [key to the figure at the top] 1. Old hospital tent 2. Place where the dead are laid 3, 4. Tents occupied by washwomen 5. Adjutants tent 6. Chaplains tent 7. Drum majors tent 8. Col.’s tent - He does not use it, except for an office 9. Capt. Williams tent 10 The 1st srgts have “A” tents which are at the head of the struts in line with the Sibleys and of course out of sight. “That hutty looking concern is the srgt maj’s tent, looks bad enough at least, but not so bad as the sketch would have it. Sunday, Dec. 21st A.D. 1862 Well here we are, at home. I do not need any picture of your home to see it perfectly, but as you never have seen our camp, probably your idea is rather vague. The picture is quite correct so far as concerns the general appearance, but you can hardly see us as we are, with this. The entire lack of life, spoils the whole effect, as life is the charm of camp. The picture was got up only two weeks since but there have been some changes that are considerable to us, but would make no great show on paper, as for instance there are some 3 or 4 cords, instead of sticks of wood to each cook tent and we have a good frame guard house in place of the old Sibley and wall tents. You will remark the close proximity of the guard tents to the cookeries. It is really some 20 rods between them, but the sketch was taken from a knoll just outside that overlooked the guard house, and looked into the streets which descend all the way and are some 10 feet above the guards. The men also are too large for the tents but that is a natural enough idiosyncracy (how do you spell it) I dont recognize anybody in the streets or on guard, so I guess I am in my tent writing [page 2] Sunday p.m. Dec 28th 1862 I have been very busy and am again behind in my writing. arcoorse I have heard from Warren but once since Frank left, that was through Alice. Why dont you write occasionally. I know you wrote last, but dear me do write again. I’ve found a man in Co. C. whose name for nick was “Pip” before he left home. He is a little funny pleasant man 80 years old with a very hirsute face. I made his acquaintance as soon as I found him out and now he and I greet each other as “Pip”! daily. Saturday eve Jan 3d 1863 Aix crum a saur kraut Why bless you. I could not write when Frank was here. I could not think of anything to say on paper, when I could pour it right off my tongue without much thought. Could I? Could you? I had forgotten all about the album till you spoke of it, so it was satisfactory? I put in the photo of Little Mac, because it looked so exactly as he did the day I saw him and because I think him the finest looking man I ever saw. You need not have it in the album unless you like. I send Austin’s carte as requested. I would get one of Homer’s if I dared to ask him for one but I don’t and never shall, so you will have to go without or ask for it yrsf. Why didn’t you like my fat picture I did later. I sent the trim of it and one in full working dress with rife and belts, to Ellen last week. Austin never got as good a picture as he is fellow, but the one he sent up is as good as he can get down here. This photograph is very good but is a lower production. I guess Austin sometimes thinks he has no home or any one to care for him much but it does not worry him badly, he is always lively when well and we all like him lots. His voice has returned and he’s more lively than when Frank was here. [page 3] I’m glad Mr. Gleason is such a trump. He must be quite an acquisition in these troublous times when change and gents are so very scarce in the rural districts. Give Jubal my best ‘spects and say I do like for to see him face to face. Who monopolizes him? Elaney, Lilia, Laura, or you gals? For of course some one of you claims him, perhaps all. I’m sure I dont know. Geo. A. has reached the acme of his ambition if he has started a lyceum. How does he bear his great joy? Charlie is the same dog on the old button. I dont often think of the boys up home but this reminds me of them. Do they look and act just as they used to when we were all up there together, 5th Jan. Johns box came to day safely through somewhat the worse for wear We are going but not gone yet. We are in Gen R.C. Tyler’s brigade and it is reported he is ordered to front, so we may go to Falmouth after all. We have been going to Ft. Richardson for a week, but we are still here. The 26th Mich. Vols has relieved us of all our provost duty so we are resting now and Col. J is giving no rats in the drill. I like it now. Lucian is very sick and I fear will not recover, but our boys are all better. 21 have died and more that number have been discharged and deserted. We rally quite a battalion now, for drill and dress parade. Over 400 men. I know by sight nearly every man connected with the 19th and have some new acquaintances, and one or two new friends. There is little Johnny Blakeslee, not Pip, who I think ever so much if and you would if you knew him. I have his picture and perhaps will send it to you some day. He is one of Ed Sackett’s old scholars and he is as slick as a mole, funny looking. I will leave you to guess how he looks for a few days. I like him lots [page 4] If you read the “Enquirer” closely, perhaps you noticed a little half square paragraph relative to a cavalry raid on Dumfries. It wasn’t much, nothing to you, but it caused quite a commotion with us. It was reported that Stuarts cavalry supported by a battery of 6 guns and 3.000 infantry was going to give us a pull after the Dumfries affair, so we were kept on the qui vive (is that according to Farquelle? I guess it is Hardee) We lay on our arms 3 or 4 nights and were out in line all of one night. It was nothing but a little preparation lesson to us, but we shall not forget it till something bigger turns up. It is called “Our First big foot in Front” throughout the camp. Tis after 12 o’c and I am sleepy. I shall not fill the page. Good night From yr brother Homer Original Format The type of object, such as painting, sculpture, paper, photo, and additional data ALS Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homer Curtiss, 19th C.V.I., December 21, 1862 Subject The topic of the resource United States--History--Civil War, 1861-1865 United States. Army. Connecticut Infantry Regiment, 19th (1862-1863) Military camps--Virginia Description An account of the resource Homer Curtiss provides a sketch and description of his camp in Alexandria. Date A point or period of time associated with an event in the lifecycle of the resource 1862-12-21