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              <text>DONNELLY AND COOPER&#13;
Come all ye true-bred Irishmen, wherever you may be,&#13;
Likewise pay attention, and listen unto me;&#13;
It is a true story, as ever you did hear,&#13;
Of Donnelly and Cooper that fought upon Kildare.&#13;
&#13;
'Twas on the third of June, my boys, the challenge was sent o'er&#13;
From Britannia to old Grania, to raise her son once more,&#13;
To renew their satisfation and credit to recall,&#13;
They are in deep distraction since Donnelly conquer'd Hall.&#13;
&#13;
Old Grania read the challenge and recieved it with a smile,&#13;
'You had better hasten unto Kildare, my well-beloved child,&#13;
It's there you'll reign victorious, as you've often done before,&#13;
And your deeds will shine victorious, as they've often done before.'&#13;
&#13;
The challenge was accepted, these heroes did prepare&#13;
To meet brave Captain Kelly on the Curragh of Kildare,&#13;
the Englishmen bet ten to one that day against poor Dan,&#13;
Such odds as this could ne'er dismay the blood of an Irishman.&#13;
&#13;
When these two champios stripp'd, into the ring they went,&#13;
For they were fully determined each other's blood to spill.&#13;
From six to nine they parried the time, till Donnelly knock'd him down, &#13;
Well done, my child, sweet Grania smiled, that is £ 10,000.&#13;
&#13;
The second round that Cooper fought, he knocked down Donnelly,&#13;
And Dan also, being of true fame, he rose most furiously;&#13;
Right active then was Cooper, he knocked Donnelly down again,&#13;
The Englishman they gave three cheers, crying, the battle is all in vain.&#13;
&#13;
Long life to brave Miss Kelly, she is recorded on the plain,&#13;
She boldly stepped into the ring, saying, 'my boy, what do you mean?'&#13;
Crying, 'Dan, my boy, what do you mean?' 'my Irish son', said she,&#13;
'My whole estate this day I've bet, on you, brave Donnelly.'&#13;
&#13;
Then Donnelly rose up again, and met him with great might,&#13;
For to stagnate those nobles all, continued the fight,&#13;
Cooper stood in his own defence, exertion proved so frail,&#13;
He soon received a temple blow, which hurled him o'er the rail.&#13;
&#13;
Ye sons of proud Britannia, your boasting now recall,&#13;
Since Cooper now by Donnelly has met his sad downfall;&#13;
For out of 11 rounds, he got nine knock downs, besides he broke his jaw-bone, &#13;
Shake hands, says he, brave Donnelly, the fight is quite your own.</text>
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300 copies only. </text>
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              <text>&lt;p&gt;THE SALCOMBE SEAMAN'S FLAUNT TO THE PROUD PIRATE&lt;br /&gt;The lofty ship from Salcombe came,&lt;br /&gt;&lt;em&gt;Blow high, blow low, and so sailed we;&lt;/em&gt;&lt;br /&gt;She had golden trucks that shone like flame,&lt;br /&gt;&lt;em&gt;On the bonny coasts of Barbary.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;'Masthead, masthead,' the captains hail,&lt;br /&gt;&lt;em&gt;Blow high, blow low, and so sailed we;&lt;/em&gt;&lt;br /&gt;'Look out and round, d'ye see a sail?'&lt;br /&gt;&lt;em&gt;On the bonny coasts of Barbary.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;'There's a ship that looms like Beachy Head,'&lt;br /&gt;&lt;em&gt;Blow high, blow low, and so sailed we;&lt;/em&gt;&lt;br /&gt;'Her banner aloft, it blows out red,'&lt;br /&gt;&lt;em&gt;On the bonny coasts of Barbary.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;'Oh, ship ahoy, and where do you steer?'&lt;br /&gt;&lt;em&gt;Blow high, blow low, and so sailed we;&lt;/em&gt;&lt;br /&gt;'Are you man-of-war, or privateer?'&lt;br /&gt;&lt;em&gt;On the bonny coasts of Barbary.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;'I am neither one of the two,' said she,&lt;br /&gt;&lt;em&gt;Blow high, blow low, and so sailed we;&lt;/em&gt;&lt;br /&gt;'I'm a pirate, looking for my fee,'&lt;br /&gt;&lt;em&gt;On the bonny coasts of Barbary.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;'I'm a jolly pirate, out for gold:'&lt;br /&gt;&lt;em&gt;Blow high, blow low, and so sailed we;&lt;/em&gt;&lt;br /&gt;'I will rummage through your after hold,'&lt;br /&gt;&lt;em&gt;On the bonny coasts of Barbary.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;The grumbling guns they flashed and roared,&lt;br /&gt;&lt;em&gt;Blow high, blow low, and so sailed we;&lt;/em&gt;&lt;br /&gt;Till the pirate's masts went overboard,&lt;br /&gt;&lt;em&gt;On the bonny coasts of Barbary.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;They fired shots till the pirate's deck,&lt;br /&gt;&lt;em&gt;Blow high, blow low, and so sailed we;&lt;/em&gt;&lt;br /&gt;Was a blood and spars and broken wreck,&lt;br /&gt;&lt;em&gt;On the bonny coasts of Barbary.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;'O do not haul the red flag down!'&lt;br /&gt;&lt;em&gt;Blow high, blow low, and so sailed we;&lt;/em&gt;&lt;br /&gt;'O keep all fast until we drown,'&lt;br /&gt;&lt;em&gt;On the bonny coasts of Barbary.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;They called for cans of wine, and drank,&lt;br /&gt;&lt;em&gt;Blow high, blow low, and so sailed we;&lt;/em&gt;&lt;br /&gt;They sang their songs until she sank,&lt;br /&gt;&lt;em&gt;On the bonny coasts of Barbary.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Now let us brew good cans of flip,&lt;br /&gt;&lt;em&gt;Blow high, blow low, and so sailed we;&lt;/em&gt;&lt;br /&gt;And drink a bowl to the Salcombe ship,&lt;br /&gt;&lt;em&gt;On the bonny coatsts of Barbary.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;And drink a bowl to the land of fame,&lt;br /&gt;&lt;em&gt;Blow high, blow low, and so sailed we;&lt;/em&gt;&lt;br /&gt;Who put the pirate-ship to shame,&lt;br /&gt;&lt;em&gt;On the bonny coasts of Barbary.&lt;/em&gt;&lt;/p&gt;</text>
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300 copies only.</text>
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              <text>THE ADVENTURES OF SEUMAS BEG&#13;
Treasure Trove&#13;
His arms were round the box. It was of wood&#13;
Clamped strong with bands of iron and it seemed&#13;
To be an awful weight. At last he stood,&#13;
And I stole closer still. His white eyes gleamed&#13;
As he peeped here and there and then he laid&#13;
The box down on the ground. A knife he drew&#13;
Out from his pocket and he plunged the blade&#13;
Deep down into the ground: the clay soon flew&#13;
In all directions underneath a tree.&#13;
And when the hole was deep he buried low&#13;
The box, and filled the hole again, and cunningly,&#13;
Stamped all the soil down flat. I went next day&#13;
To dig the treasure up but lost my way.&#13;
	James Stephens&#13;
&#13;
A YOUNG MAN'S FANCY&#13;
All the sheets are clacking, all the blocks are whining,&#13;
The sails are frozen stiff, and the wetted decks are shining,&#13;
The reef's in the top-sails, and it's coming on to blow,&#13;
And I think of the dear love I left long ago.&#13;
&#13;
Grey were her eyes, and her hair was long and bonny,&#13;
Golden was her hair, like the wild bee's honey,&#13;
And I was but a dog, and a mad one, to despise&#13;
The gold of her hair and the grey of her eyes.&#13;
&#13;
There's a sea before me, and my home behind me,&#13;
And beyond there the lands where nobody will mind me,&#13;
No one but the girls with the paint upon their cheeks,&#13;
Who sell away their beauty to whomsoever seeks.&#13;
&#13;
There'll be drink and women there, and songs and laughter;&#13;
Peace from what is past, and from all that follows after;&#13;
And a fellow will forget how a woman lies awake&#13;
lonely in the night-watch crying for his sake.&#13;
&#13;
Black it blows, and bad, and it howls like slaughter,&#13;
And the ship she shudders as she takes the water,&#13;
Hissing flies the spindrift, like a wind-blown smoke,&#13;
And I think of a woman, and a heart I broke.</text>
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300 copies.</text>
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              <text>THE PRESS-GANG&#13;
Here's the tender coming,&#13;
Pressing all the men;&#13;
O' dear Honey,&#13;
What shall we do then?&#13;
Here's the tender coming,&#13;
Off at Shields Bar,&#13;
Here's the tender coming,&#13;
Full of men of war.&#13;
&#13;
Here's the tender coming,&#13;
Stealing of my dear;&#13;
O, dear honey,&#13;
They'll ship you out of here.&#13;
They'll ship you foreign,&#13;
For that is what it means.&#13;
Here's the tender coming,&#13;
Full of red marines.&#13;
&#13;
GALWAY RACES&#13;
It's there you'll see confectioners with sugar sticks and dainties,&#13;
The lozenges and oranges, lemonade and the raisins;&#13;
The gingerbread and spices to accomodate the ladies,&#13;
And a big crubeen for threepence to be picking while you're able.&#13;
&#13;
It's there you'll see the gamblers, the thimbles and the garters, &#13;
And the sporting Wheel of Fortune with the four and twenty quarters.&#13;
There was others without scruple pelting wattles at poor Maggy,&#13;
And her father well centered and he looking as his daughter.&#13;
&#13;
It's there you'll see the pipers and the fiddlers competing,&#13;
And the nimble-footed dancers and they tripping on the daisies.&#13;
There was others crying segars and lights, and bills of all the races,&#13;
With the colour of the jockeys, the prize and horses ages.&#13;
&#13;
It's there you'd see the jockeys and they mounted on most stately,&#13;
The pink and blue, the red and green, the Emblem of our nation.&#13;
When the bell was rung for starting, the horses seemed impatient,&#13;
Though they never stood on ground, their speed was so amazing.&#13;
&#13;
There was half a million people of all denominations,&#13;
The Catholic, the Protestant, the Jew and Prespertarian.&#13;
There was yet no animosity, no matter what persuasion,&#13;
But failte and hospitality inducing fresh acquaintance.</text>
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300 copies.</text>
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              <text>THE ADVENTURES OF SEUMAS BEG&#13;
THE VISIT FROM ABROAD&#13;
I saw a speck blow up against the sky&#13;
As little as a leaf. Then it came near&#13;
And broadened - 'Tis a bird, said I&#13;
And fetched my bow and arrows. It was queer.&#13;
It grew more big and big till like a blot&#13;
It squattered past a cloud, then it came down&#13;
All crumply and it waggled such a lot&#13;
I feared that it would fall. It was a brown&#13;
Old carpet where a man was sitting snug.&#13;
He reached the ground and started quick to sew&#13;
A big hole in the middle of the rug:&#13;
And he was looking every side to know&#13;
Was anybody coming. Then with a twist&#13;
He flew away - I fired but missed. &#13;
	James Stephens&#13;
&#13;
THE ADVENTURES OF SEUMAS BEG&#13;
IN THE ORCHARD&#13;
There was a giant by the Orchard Wall&#13;
Peeping about on this side and on that&#13;
And feeling in the trees. He was as tall&#13;
As the big apple tree and twice as fat.&#13;
His beard was long, and listen, I saw there&#13;
Were leaves and bits of grass stuck in his hair.&#13;
&#13;
He held a big black club in his right hand,&#13;
And with the other searched in every tree&#13;
For something that he knew of. You could stand&#13;
Right up beside him and not reach his knee,&#13;
So mighty big he was. I was in fear&#13;
That he might turn and see me standing near.&#13;
&#13;
I tried to get away, and as I slid&#13;
Under a bush, he saw me and he bent&#13;
Far down and said 'where is the princess hid?'&#13;
So I said 'there' and pointed - so he went.&#13;
And when he looked I turned and simply flew&#13;
Round by the lilac bushes, back to you. &#13;
	James Stephens.</text>
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300 copies.</text>
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              <text>FUNERALS&#13;
As I go down Glasnevin way&#13;
The funerals pass me day by day:&#13;
Stately, sombre, stepping slow&#13;
The white-plumed funeral horses go,&#13;
With coaches crawling in their wake&#13;
A long and slow black-glittering snake.&#13;
(Inside of every crawling yoke&#13;
Silent cronies sit and smoke)&#13;
Evermore as I grow thinner,&#13;
Day after day without a dinner;&#13;
Every day, as I go down,&#13;
I meet the funerals leaving town.&#13;
&#13;
Soon my procession will be on view&#13;
A hearse and maybe a coach or two.&#13;
	Seumas O'Sullivan&#13;
&#13;
THE COTTAGERS DAUGHTER&#13;
Ah! tell me ye swains, have you seen my Pastora?&#13;
O say, have you met the sweet nymph in your way?&#13;
Transcendant as Venus, and blythe as Aurora,&#13;
From Neptune's bed rising to hail the new day.&#13;
Forlorn do I wander and long time have sought her,&#13;
The fairest, the rarest, for ever my theme;&#13;
A Goddess in form, though a cottager's daughter&#13;
That dwells on the borders of Aln's winding stream.&#13;
Of Aln's winding stream, of Aln's winding stream,&#13;
That dwells on the borders of Aln's winding stream.&#13;
&#13;
The lordlings so gay, and young squires have sought her,&#13;
To link her fair hand in the conjugal chain,&#13;
Devoid of ambition that cottager's daughter&#13;
Convinced them their flattery and offers were vain.&#13;
When first I beheld her, I fondly besought her,&#13;
My heart did her homage, and love was her theme;&#13;
She vow'd to be mine, the sweet cottager's daughter,&#13;
That dwells on the borders of Aln's winding.&#13;
&#13;
Then, why thus alone does she leave me to languish?&#13;
Pastora to splendour could ne'er yield her hand;&#13;
Ah no! she returns to remove my fond anguish,&#13;
O'er her heart love and truth retain the command.&#13;
The wealth of Golconda could never have bought her,&#13;
For love, truth and constancy, still is her theme.&#13;
Then give me kind Hymen, the cottager's daughter,&#13;
That dwells on the borders of Aln's winding stream,&#13;
Of Aln's winding stream, of Aln's winding stream,&#13;
A Goddess in form tho' a cottager's daughter,&#13;
That dwells on the borders of Aln's winding stream.</text>
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                <text>PUBLISHED MONTHLY BY E. C. YEATS AT THE CUALA PRESS, CHURCHTOWN , DUNDRUM, COUNTY DUBLIN. SUBSCRIPTION TWELVE SHILLINGS A YEAR POST FREE.&#13;
300 copies only. </text>
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              <text>LAMENT FOR THE DEATH OF [EOGAN RUAD UA NEIL]&#13;
COMMONLY CALLED OWEN ROE O'NEIL&#13;
Time- 10th Nov., 1649. Scene - Ormond's Camp, County&#13;
Waterford. Speakers - A Veteran of Owen O'Neil's clan, and&#13;
One of the horsemen, just arrived with an account of his death.&#13;
&#13;
'Did they dare, did they dare to slay Owen Roe O'Neil?'&#13;
'Yes, they slew with poison him they feared to meet with steel.'&#13;
'May God wither up their hearts! May their blood cease to flow!&#13;
'May they walk in living death, who poisoned Owen Roe!&#13;
&#13;
Though it break my heart to hear, say again the bitter words.'&#13;
'From Derry, against Cromwell, he marched to measure swords;&#13;
But the weapon of the Saxon met him on his way,&#13;
And he died at Cloc Uactair, upon Saint Leonard's Day.'&#13;
&#13;
'Wail, wail ye for the Mighty One! Wail, wail ye for the Dead;&#13;
'Quench the hearth, and hold the breath- with ashes strew the head.&#13;
How tenderly we loved him! How deeply we deplore!&#13;
Holy Saviour! but to think we shall never see him more.&#13;
&#13;
Sagest in the council was he, kindest in the hall,&#13;
Sure we never won a battle -  'twas Owen won them all.&#13;
Had he lived - had he lived - our dear country had been free;&#13;
But he's dead, but he's dead, and 'tis slaves we'll ever be.&#13;
&#13;
O'Farrell and Clanicarde, Preston and Red Hugh,&#13;
Audley and MacMahon - ye are valiant, wise, and true;&#13;
But - what are ye all to our darling who is gone?&#13;
The Rudder of our Ship was he, our Castle's corner-stone!&#13;
&#13;
Wail, wail him through the Island! Weep, weep, for our pride!&#13;
Would that on the battle field our gallant chief had died!&#13;
Weep the Victor of Beinn Burb - weep him, young men and old;&#13;
Weep for him, ye women - your Beautiful lies cold!&#13;
&#13;
We thought you would not die - we were sure you would not go,&#13;
And leave us in our utmost need to Cromwell's cruel blow -&#13;
Sheep without a shepherd, when the snow shuts out the sky -&#13;
Oh! why did you leave us, Owen? Why did you  die?&#13;
&#13;
Soft as woman's was your voice, O'Neil! bright was your eye,&#13;
Oh! why did you leave us, Owen? why did you die?&#13;
Your troubles are all over, you're at rest with God on high;&#13;
But we're slaves, and we're orphans, Owen! - why did you die?'&#13;
	Thomas Davis.</text>
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                <text>A Broadside: No. 9 Second Year</text>
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                <text>PUBLISHED MONTHLY BY E. C. YEATS AT THE CUALA PRESS, CHURCHTOWN, DUNDRUM,  COUNTY DUBLIN. SUBSCRIPTION TWELVE SHILLINGS A YEAR POST FREE.&#13;
300 copies only. </text>
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                <text>The woodcut on page [2] has caption: "Grandpapa's Hunting". </text>
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              <text>&lt;p&gt;MAGDALENE&lt;br /&gt;Magdalene at Michael's gate toiled at the pin.&lt;br /&gt;On Joseph's thorn sang the blackbird, 'Let her in! Let her in!'&lt;/p&gt;
&lt;p&gt;'Hast tho seen the wounds?' said Michael, 'knowest thou thy sin?'&lt;br /&gt;'It is evening, evening' sang the blackbird, 'Let her in! Let her in!'&lt;/p&gt;
&lt;p&gt;'Yes, I have seen the wounds and I know the sin!'&lt;br /&gt;She knows it well, well, well.' sand the blackbird, 'Let her in! Let her in!'&lt;/p&gt;
&lt;p&gt;'Thou bringest no offerings?' said Michael, 'nought save sin?'&lt;br /&gt;And the blackbird sang, 'She is sorry, sorry, sorry. Let her in! Let her in!'&lt;/p&gt;
&lt;p&gt;When he had sung himself to sleep and night did begin,&lt;br /&gt;On came and open'd Michael's gate and Magdalene went in.&lt;br /&gt; Henry Kingsley&lt;/p&gt;
&lt;p&gt;LEAVE HER JOHNNY&lt;br /&gt;&lt;em&gt;Sailors Chanty&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;I thought I heard the captain say,&lt;br /&gt;&lt;em&gt;Leave her Johnny, leave her;&lt;/em&gt;&lt;br /&gt;You may go ashore and touch your pay,&lt;br /&gt;&lt;em&gt;It's time for us to leave her.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;You may make her fast, and pack your gear,&lt;br /&gt;&lt;em&gt;Leave her, Johnny, leave her;&lt;/em&gt;&lt;br /&gt;And leave her moored to the West Street Pier,&lt;br /&gt;&lt;em&gt;It's time for us to leave her.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;The winds were foul, the work was hard,&lt;br /&gt;&lt;em&gt;Leave her Johnny, leave her;&lt;/em&gt;&lt;br /&gt;From Sligo Quays to Brooklyn Yard,&lt;br /&gt;&lt;em&gt;It's time for us to leave her.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;She would neither wear, nor steer, nor stay,&lt;br /&gt;&lt;em&gt;Leave her, Johnny, leave her;&lt;/em&gt;&lt;br /&gt;Her running rigging carried away,&lt;br /&gt;&lt;em&gt;It's time for us to leave her.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;The winds were foul, the trip was long,&lt;br /&gt;&lt;em&gt;Leave her, Johnny, leave her;&lt;/em&gt;&lt;br /&gt;Before we go we'll sing a song,&lt;br /&gt;&lt;em&gt;It's time for us to leave her.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;We'll sing, Oh, may we never be,&lt;br /&gt;&lt;em&gt;Leave her, Johnny, leave her;&lt;/em&gt;&lt;br /&gt;On a hungry ship the like of she,&lt;br /&gt;&lt;em&gt;It's time for us to leave her.&lt;/em&gt;&lt;/p&gt;</text>
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                <text>PUBLISHED MONTHLY BY E. C. YEATS AT THE CUALA PRESS, CHURCHTOWN, DUNDRUM, COUNTY DUBLIN. SUBSCRIPTION TWELVE SHILLINGS A YEAR POST FREE.&#13;
300 copies only.</text>
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              <text>THE CHERRY TREE CAROL&#13;
Now Joseph was an old man,&#13;
	An old man was he,&#13;
When he wedded Mary,&#13;
	In the land of Galilee.&#13;
&#13;
O then bespoke Mary,&#13;
	With words both meek and kind,&#13;
'Pluck me some cherries, Joseph,&#13;
	They run so in my mind.&#13;
&#13;
O eat your cherries, Mary,&#13;
	O eat your cherries now;&#13;
O eat your cherries, Mary,&#13;
	They grow upon the bough.&#13;
&#13;
'He neither shall be born,&#13;
	In housen nor in hall,&#13;
Nor in the place of Paradise,&#13;
	But in an ox's stall.&#13;
&#13;
As Joseph and Mary walk thro'&#13;
	A garden green,&#13;
Where cherries and berries,&#13;
	Were as thick as might be seen.&#13;
&#13;
Then bowed down the highest tree,&#13;
	Unto God's mother's hand,&#13;
O then, she cried, 'See, Joseph,&#13;
	I have cherries at my command.'&#13;
&#13;
As joseph was a walking,&#13;
	He heard an angel sing,&#13;
'This night shall be the birth-time&#13;
	Of christ our Heavenly King.'&#13;
&#13;
'He neither shall be clothed&#13;
	In purple nor in pall,&#13;
But all in fair linen,&#13;
	That usen babies all.&#13;
&#13;
He neither shall be rocked,&#13;
	In silver nor in gold,&#13;
But in a wooden manger&#13;
	That rested on the mould.'&#13;
&#13;
As Joseph was a walking,&#13;
	Then did an angel sing:&#13;
And Mary's child at midnight,&#13;
	Was born to be our King.&#13;
&#13;
Then be ye glad, good people,&#13;
	This night of all the year,&#13;
And light ye up your candles,&#13;
	For his star it shineth clear.&#13;
&#13;
THE COLLIER&#13;
You may know a jolly collier as he walks on the street,&#13;
His clothing is so handsome, and so neat are his feet;&#13;
With teeth as white as ivory, and his eyes as black as soles,&#13;
You may know a jolly collier wherever he goes.&#13;
&#13;
You may know a jolly collier, he's a swaggering young blade,&#13;
When he goes a-courting of his buxom fair maid;&#13;
With his lips he so flatters her, and he spends his money free,&#13;
You may know a jolly collier wheresoever that he be. &#13;
&#13;
You may know a jolly collier as he sails the salt sea;&#13;
As he ploughs the wide ocean he sets his sails three,&#13;
The foresail for to lift her, and the mainsail to drive,&#13;
And the little pretty crojick for to make her steer wild.&#13;
&#13;
I'll build my jolly collier a castle on a hill,&#13;
Where neither Duke nor Squire can work me any ill;&#13;
For the Queen can but enjoy the King, and I can do the same,&#13;
And I am but a sheep-girl, and who can me blame?</text>
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                <text>A Broadside: No. 7 Second Year</text>
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                <text>PUBLISHED MONTHLY BY E. C. YEATS AT THE CUALA PRESS, CHURCHTOWN, DUNDRUM, COUNTY DUBLIN. SUBSCRIPTION TWELVE SHILLINGS A YEAR POST FREE.&#13;
300 copies only. </text>
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                <text>The woodcut on page [3] has caption: "The Harlequinade". Signed by Jack B. Yeats.</text>
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              <text>BY MEMORY INSPIRED&#13;
	By memory inspired&#13;
	And love of country fired,&#13;
The deeds of men I love to dwell upon;&#13;
	And the patriotic glow&#13;
	Of my spirit must bestow&#13;
A tribute to O'Connell that is gone, boys, gone:&#13;
Here's a memory to the friends that are gone!&#13;
&#13;
	In October 'Ninety-seven-&#13;
	May his soul find rest in Heaven-&#13;
William Orr to execution was led on:&#13;
	The jury, drunk, agreed&#13;
	That IRISH was his creed:&#13;
For perjury and threats drove them on, boys, on:&#13;
Here's the memory of John Mitchell that is gone!&#13;
&#13;
	In 'Ninety-eight - the month of July-&#13;
	The informer's pay was high:&#13;
When Reynolds gave the gallows brave MacCann;&#13;
	But MacCann was Reynold's first-&#13;
	One could not allay his thirst;&#13;
So he brought up Bond and Byrne that are gone, boys, gone:&#13;
Here's the memory of the friends that are done!&#13;
&#13;
	We saw a nation's tears&#13;
	Shed for John and Henry Shears;&#13;
Betrayed by Judas, Captain Armstrong;&#13;
	We may forgive, but yet&#13;
	We never can forget&#13;
The poisoning of Maguire that is gone, boys, gone:&#13;
Our high star and true apostle that is gone!&#13;
&#13;
	How did Lord Edward die?&#13;
	Like a man, without a sigh!&#13;
And he left his handiwork on Major Swan.&#13;
	But Sirr, with steel-clad breast,&#13;
	And coward heart at best,&#13;
Left us cause to mourn Lord Edward that is gone, boys, gone:&#13;
Here's the memory of our friends that are gone!&#13;
&#13;
	September, Eighty-three.&#13;
	Closed this cruel history,&#13;
When Emmet's blood the scaffold flowed upon:&#13;
	O, had their spirits been wise,&#13;
	They might then realize&#13;
Their freedom - but we drink to Mitchell that is gone, boys, gone:&#13;
Here's the memory of our friends that are gone!&#13;
	T. Kearney</text>
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                <text>A Broadside: No. 6 Second Year</text>
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                <text>PUBLISHED MONTHLY BY E. C. YEATS AT THE CUALA PRESS, CHURCHTOWN, DUNDRUM, COUNTY DUBLIN. SUBSCRIPTION TWELVE SHILLINGS A YEAR POST FREE. &#13;
300 copies only.</text>
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                <text>The Woodcut on page [3] has caption: "The Lambeth School of Arms". Signed by Jack B. Yeats,</text>
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                <text>E. C. Yeats</text>
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                <text>Jack B. Yeats</text>
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                <text>T. Kearney</text>
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        <name>Irish Literary Revival</name>
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        <name>Jack B. Yeats</name>
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        <name>T. Kearney</name>
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      <tag tagId="496">
        <name>The Gaelic Revival</name>
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        <name>The Lambeth School of Arms</name>
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